![]() ![]() But there’s something about RZA’s distinctive style and invention - this guy can do more with a bass drum sample and one piano key than a roomful of rappers with a warehouse of vinyl - that keeps RZA one step ahead of his enemies. Like BD’s 1998 debut In Stereo - and like every Wu-Tang Clan record - Digital Bullet comes packing heat in the form of starkly sparse beats, haunted single-note keyboard lines, horror-movie bass throbs, expletive-peppered tales about glocks and bee-yatches and blustery cameos by Clansmen and superfriends like GZA, ODB, Method Man and Masta Killa. According to a press release, DJ Scratch handles. On this second solo joint, he reanimates (or should that be rzarects?) another of his many aliases: Virtual comic-book superhero Bobby Digital. Bobby Digital features the hard-hitting single, Saturday Afternoon Kung Fu Theater. R obert Diggs - aka RZA - is already the ringleader, beatmaster and all-around evil genius behind gangster-rap roughnecks The Wu-Tang Clan. Here’s what I said about it back then (with some minor editing): ![]() This came out in 2001 – or at least that’s when I got it. ![]()
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